I am sorry for being unable to write in greek, but I would like to share this with you.
I recently had a close look to the description of Yovan Tsaous instruments in the book of Stavros Kourousis “From Tambouras to Bouzouki - The History and Evolution of the Bouzouki and its first Recordings (1926-1932)”.
After performing some calculations (hopefully without errors), I think that it was tune exactly like a Turkish TANBUR, but with some missing notes.
What do you think about it ?
That would explain why bouzouki player could not play on his instrument !
But i still do not understand why the SEGAH note is missing (perhaps because the instrument other strings were tuned in C or G, which make appear the note SEGAH ?)
αυτο θα ηταν πρέπον να το εξετάσουν οι μακαμιστές μας και να το απαντήσουν.
δεν νομιζω να περιμένει ο φίλος απο Γαλλία ακόμη την απάντηση, αλλα εμεις οι υπόλοιποι, θα ωφεληθούμε.
hello, kalimera, i want to learn the taximi from TSAOUS which Spyros told me, but i mean it would be very good to have a tambour, where in athens i could buy a tambour. i mean diamanto alaniara from Yovan.
I was interested too on the subject, I found this excel sheet that might help if you make changes on the length of string: Tanbur Fret Location.xlsx (130,6 KB)
(from Mike Oud’s forums)
This appears to be a setup for a Turkish Tanbur which is essentially a single-string instrument (with sympathetics etc) of a much longer scale, with the maximum numbers of movable frets. Although number and placement of frets is a matter of interpretation and discussion, this system is probably not what Tsaous had.
Yes I agree, and I do not know if the excel spreadsheet is correct. However it provides a guideline for distances on the fretboard.
According to this video - presentation on the creation of a replica of Yovan Tsaous instrument, the modifications he made were very few:
Tanbur (with this spelling) is a classical Ottoman lute with a very long neck and with the most detailed fretting of all fretted instruments. The one with semispherical body and no soundhole. A very specialised instrument, that no one can play with just some knowledge of bouzouki.
Yovan Tsaous’s instruments were unique. A non-tempered variant of bouzouki, in two different sizes and tunings. Unknown (at least to me) from any other source. And they are often referred to as ταμπούρι or ταμπουρομπούζουκο.